| Peaches Impeaches Bush on Record, on Tour
The high priestess of sextronica delivers her third album, Impeach My Bush, on July 10 in the UK and July 11 in the U.S. on XL Recordings. The first single, "Downtown" (not related to the Petula Clark ditty), came out yesterday in the UK; a U.S. single is expected later this summer. Fresh as a spring flower, Impeach My Bush features guest spots from Beth Ditto of the Gossip, Joan Jett, Josh Homme of QOTSA and Eagles of Death Metal, Feist, and Samantha Maloney of Hole / Mötley Crüe. New teaches: 01 Fuck or Kill 02 Tent in Your Pants 03 Hit It Hard 04 Boys Wanna Be Her 05 Downtown 06 Two Guys (For Every Girl) 07 Rock the Shocker 08 You Love It 09 Slippery Dick 10 Give'er 11 Get It 12 Do Ya 13 Stick It to the Pimp As previously reported, Peaches is currently raunching up the U.S.
Strictly Acoustic
Surf's up this Saturday at Leonesse Cellars in Temecula's Wine Country when the Duo-Tones perform surf guitar music straight from the '60s. Paul Johnson was 15 when he cut his first record, "Mr. Moto," with the Belairs in 1961, and Gil Orr has played with the Chantays since the mid '60s. Their number one hit, "Pipeline," is still popular at surf music concerts. The two have formed a partnership in the Duo-Tones and perform the music they love. Their sound, like that of most original surf guitar, is unique in that there's no amps, no drums and no bass. It's strictly pure acoustic guitar which fits right in with the 100-person venue at Leonesse Cellars. Johnson has been playing rock instrumental music for more than 40 years. He started with the Belairs in 1961 and continued playing with some of surf music's biggest names, including the Galaxies.
'Hillbilly rock stars' party in Tampa
The band launched into a full-throttle version of "Rock and Roll," the propulsive second track on Led Zeppelin's untitled fourth album. The instantly recognizable guitar riff echoed across Raymond James Stadium in Tampa and the crowd of about 45,000 erupted in approval with decibel-defying screams. However, it wasn't Robert Plant singing the sex-crazed lyrics and offering the overheated panting in between verses - like he did in front of a record-setting Tampa Stadium crowd in 1973. No, it was good ol' girl Gretchen Wilson singing "I don't know what I've been told / But big-legged woman ain't got no soul" to the delight of thousands last Saturday. Before channeling Plant, Wilson offered an equally faithful and effective cover of Heart's roaring, classic rock staple "Barracuda." Wilson ended her set with an amps-turned-to-11 run through of her trailer girl anthem "Redneck Woman," which in terms of sound and style, owed more to the Heart and Zeppelin covers than anything recorded by Loretta Lynn or Patsy Cline.
Disposable Nation
In my teenage years, I was pretty handy with cars. Being decidedly working-class, we Jowerses favored used cars, somewhere between two and 10 years old. I did my own tune-ups, replaced my own rusted-out exhaust systems, stripped wrecked cars for parts and put those parts on my own cars. On any given day, I could fix just about any given car problem and get to where I wanted to go. But I felt the winds of change one day when my daddy, Jabo Jowers, pulled into the driveway with a lightly used 1962 Oldsmobile Jetfire. Jabo opened the hood like men did in those days when they wanted to show off a car. “Look here, boy," he said. “They tell me this thing's got a turbocharger." I looked into the cramped little engine compartment, which had tubes and wires crammed together so tight that there was no room for human hands or Craftsman wrenches.
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